Social Skate Summit

Social Skate Summit 2026

We are now a few days after the Social Skate Summit 2026. It’s the first time this amazing event took place.

Organised by @keeprolling_co, @thegoodpush @skateistan, @citymillskate, @iscp_and_skatz ,we had a 3 days program of very well organised talks and network opportunities around social skate projects.

Examples of the panel talks where “How to prove the positive impact skateboarding can have” or “the Physical and mental wellbeing in skateboarding and WCMX” amongst many other.

I have so many things to write down and I will make another blog / zine soon with more concrete and practical examples of what we have learned that weekend!

But in this post, I want to tackle the thing that touched me the most, the soul inspiration and heart touching aspect that I took home with me.
It’s about what is behind the façade of courage.

Enjoy the read and leave a comment if you feel doing so!









Double rebel

The first thing that comes up to my mind when I rethink about this weekend was the aspect of courage, and what’s behind that facade.

Courage is something quite visible, and glorified already in the world. It’s the main topic in movies, books, and praised as a personality trait, especially in skateboarding itself. “Damn, you got the guts bro!”

We see pushing boundaries of tricks and our own capacities as something heroic, and inspiring for others.




At first glance, and often on social media, we see a project or a person doing what we do. And what we do is mostly, breaking the status quo, breaking the stereotype, changing a norm, and we do so through our skate proejcts.

People, including myself, immediately think of courage. That's normal, and it is absolutely necessary - it does take some fucking enormous amount of courage to start initiatives like this.

To be rebellious within something that is already considered rebellious, like skateboarding, is being a double rebel. You need to be brave to even think about doing it.

Already skateboarding is considered a courageous thing to do. To go stand on the coping and look down a bowl, and think, “I’m going to drop this,” takes a certain amount of courage that many consider above average.

To start doing it alone, as a gender minority in the scene, especially in a place where skateboarding is not vastly known to locals by going knocking on doors of houses to ask if the girls can come skate — like Houda did — that takes courage. (cjf_morocco Concrete Jungle Foundation)

To start a collective for trans skaters, while there is a current social climate that is incredibly hostile towards transgender persons, that takes courage. Griffin and the Trans Skater Collective is a admirable example of that.

To come up to a skatepark, as a person using a wheelchair, while so many facilities are not taking you in regard when being built — that takes courage. And then on top of that, grinding a rainbow rail like David from the collective Sit’N Skate, that takes some fcking courage (sorry for the swearing but it’s just super gnarly).





But it takes way more than courage

But behind the courage, behind this glorious facade of bravery and heroic triumph, there is a lot of invisible yet heavy work. So much hard work, patience, consistency, self-education, communication, time, organisation, reaching out, applying, writing, spreading the word, connecting.

Because if you have just the courage, which is already super cool, you might go on top of the bowl cooping - and be like, I’m going to drop in this bowl.
And that’s amazing, don’t get me wrong.
You might have it already after the first try, if you’re lucky.
You might also fall and never get back up there again.


But the fact that you go back up, reface that adrenaline rush, come back tomorrow, and next week, and do it again, and again, and again — that’s the hard work.

The thing we forget, is that to be able to come back up there, if no one there looks like you, nobody tells you it’s possible that YOU can do it, it’s require double or triple the amount of courage.



The human is patterned in certain ways - we copy what we see, we allow ourself to believe things when we have been able to visualise them firts.

If you NEVER see yourself on the cover of a magazine, if you constantly are made to be felt insecure, if your whole childhood you were told “it’s not for you”, can you imagine the amount of courage to go back up there? It’s possible, and many of us have been there. But it doesn’t been have to gate keep it something as wonderful as skateboarding.


With our projects we make sure to also be there. To also be visible. For some it looks so pretentious, to just start a proejct and send it out to the world, and the magazines, “your barely skate and you are doing this?” Fuck yes I am.


And that visibility, presence, that requires patience and consistency and hard work.

And that’s what I find we overlook when we see the projects we lead while scrolling online - and what I learned the most out of this weekend.

The hard work that everyone puts in there is admirable, and it’s the thing next to courage that we should not overlook.

A labour of love and a love for the labour



We talked about free labour, the labour of love, the passion job.
We all had the same question during the panel “How turn your skate project into something sustainable” : how do we make this something sustainable for all us? Many were talking about burnouts, lack of funding, ways of making it work. And we soon realised there was no real or ready answer.

Some of us have do it as a career.
And many of us are doing hours on the side of our main jobs. It depends on many factors, such as the local politics, the opportunity for fundings, and who is deciding on who will receive the funding.

It takes repetition, time, and consistency to make people feel welcome, comfortable, and safe to undertake the rebellious act of skateboarding.
And making a space that allows this, means You HAVE to show up.

For some it’s possible to take a break.

But for others, if you don't show up — the people that need you will be there, waiting in front of closed doors.

So I want to send my deepest appreciation and humble regards to those
that show up again and again and again, especially in places where it can isolating to be the one taking the lead. I am myself very greatefull of the circumstances, even if sometimes the invisble labour lad takes too much space.


Also, I’m not just talking about physical hard work that you have to put by showing up.
But also the hard work it requires emotionally.

Because even if you show up, you hosted your session, you might go home still with your heart broken.


You were teaching skateboarding to a class of young girls and mums today - but at the same time you were trying to find out how to make this world gentler.

You are giving a hand to drop in, but at the same time you have to think about how to explain why we do girls-only sessions to an angry parent at the door, that thinks what you are doing is “segregation”.

Explaining 10 times to the same group of teenage skater boys showing up at your sessions, complaining about how they should have a boys only session too.

You go home and you research gender inequality and its actual numbers. Hopefully next time you have an answer ready to give them and then they will understand?

Or the discussion with that one parent who lied about their son being non-binary as a joke just so they could skate during your session - they say in a mean and jokingly manner “you can’t check it anyways”.

You go to sleep and think about this situation you witnessed in the park that was fucked up.
You try to understand both sides but also you don’t.
The slurs that were thrown out last time, they can’t be understood.
And who to talk to about this from the organisation?

Who to trust from the boys of the park?
They are so understanding and supportive but still you hesitate on how much you can share.

Then you go home to relax and watch some videos of people skating that look like you, and you read the hate comments.


And you burn with anger to make a change.





Putting on Different Shades

And this emotional and mental labour, we saw it in full action the most on Monday, when a person made a comment that was completely out of place in any situation, but especially in this situation. Let’s say we had to borrow our glasses to someone to put on to see through our point of view, and it took some time to do so.

Personally, when the subject popped up, my body started to shake. I had a very visceral reaction. I think it’s also due to the overstimulation from all the information of the weekend, my social battery being being drained, and the fact that I might be in the autumn phase of my cycle (something I learned from Muna to take more care of).

But I didn’t want to ignore it. I felt anger rise in me, and I felt the need to leave the space. I know it’s something that this summit encourages — to listen to your body, to take care of yourself.

But doing so, I felt very guilty. It felt like I was leaving my people to the battle, and I opted out.

Why am I running away from this confrontation?
Why is this stirring me up so much? Why do I feel it’s OK to leave others take the responsability?

I had these confrontations so many times before, and I could perfectly handle them.
Matter of fact, in daily life, I would be the first one to tackle the discussion and feel a responsibility to provide safety for the people I come up for, and organise these sessions that way.

This situation is hard for everyone in that space, so why do I get to leave?





We’re gonna be OK

I went downstairs, and then someone showed me the room next to the panels. They told me it’s ok to hang out there and take care of myself!


I laid down there with my body full of emotions. Contorted myself into all shapes and tried my own version of somatic care - I never know exactly what I’m doing but it feels good. I jumped, did handstands, clapped in my hands and looked at the river trhough the window. When my heartbeat slowed down, I started to feel OK about my decision.

I came back to reality of the situation and asked myself:

Would I felt OK leaving the room and doing some weird body contortion / self-regulating techniques so openly if this was not the Social Skate Summit? NO.

Would I have left my peers behind alone with a painful situation if it was not at the Social Skate Summit? NO.





And I realised the reason why I left the room is because I actually felt SAFE and taken care well enough to be able to do so.


I felt that if I leave, we are here with such a big group of smart, emotionally intelligent, well-spoken, informed people, that I can take a break this time, I can leave this responsibility of defending my space and existence this time. It’s not me that is in charge.


Now typing this makes me emotional, because I sometimes forget how often I had to defend the space we host sessions, how often I had to justify them to others, how much invisible labour it takes, how much emotional energy I have put into it in the last 5 years. Even if the boys from the park support & help with what we do so much unconditionally - on the day itself it’s still you that is making sure the space is safe.





Tired of educating others — I wanted to educate myself!

My anger came out so abruptly during the conversation, because I came here to learn that day. I wanted to leave the workshop with coaching tips in my pocket so I could apply them to my students and in my spaces. But instead, again, another hour of my life where I have to explain to someone that the sole reason we do this is to be able to do the same thing he can do without lifting a finger.
I felt angry that my time was taken away and spent on this guy. Once again.

But then when I re-entered, I saw Griffin coming back in too. The energy in the room was dense. And then Griffin came up, facing the situation frontally.
The words came out of his mouth in a way that made it clear he had to repeat himself over and over again. What he does — why he does it. The words flowed. And that is courage — AND HARD WORK. To be able to talk, face the situation, and look it in the eyes.

I felt proud, I felt protected, I felt angry, all at the same time. And mostly I felt safe to be who I was and who I am there, amongst everyone. And now that our friend got educated on the topic, I also felt safe with him in our space.

This was a not-so-gentle reminder that our work is not over. That what we do is still so, so fucking important. That reality outside of our bubble can still be hostile. But we put on someone else’s glasses, and that person put on ours for that moment. And I guess this is part of the hard work we all put into this.

 

Concert A210

After years of repairing a band-breakup I finally got back on stage and performed music. And for the first time this felt natural, and enjoyable. I used to have quite some stage fear, and doubts about my capacity as a performer. But I love singing live so, so much that it pushed me through. Also the people that know me and love my music have motivated me all these years to keep doing it.

The amazing all female collective Tropical Djispsies invited me to be part of their programm for a night of DJ-Sets. I would be the only live act. The evening carried a chant for resistance, courage, rage and love.

I will later post videos and more pictures, but here are some for now.

Pictures by SOFAA DOUCHE

Should I…

Stop making promises if I am not sure I can make them happen? Are people as forgetful as I am? I read my own old blog. And I see promises I made: I was going to make the Café Solo Journal. And I never did. But wait… I can still make it… Cause it’s never too late?

Still In Process

Back in the days in Frankfurt, during the Staedelschule years, I had a work called Welcome to the Real World that consisted of a glass vitrine displaying toys for children that had an aspect of "customisation" or "excavation"—any toy that gave the idea that the child is independently "discovering" or creating something, even if it's a staged situation (for example, excavating dinosaur skeletons in a piece of crumbling clay, or finding gemstones). I was fascinated by German stores like DM, Haussmann, etc. I spent hours in the toy section, analysing what we sell to children and how we advertised extremely genderised merchandise. I think I might one day go back to this project, which back then was overshadowed by a depressive state of mind and reclusion that made me unable to properly express my feelings around it. Sometimes I wish I had gone to this school at a later age.

In one of the toys where one can extract a gemstone in a clay slab, I retraced drawings from my diary of when I was 10 - 12 years old, pages where my darkest secrets where hidden between glued pages.

TABF

NEW MIX

Hi everyone, my mix is available to listen to now!

Sunday 08 March 2026

22:00 CET ~ tune in on 91.8FM or livestream www.radiox.de/ @radioxfrankfurt

About the mix: “Huge throwback my the 2010-tumblr-mp3player-digital mystikz-dour-with-no smartphone-teenager-dubstep&dub-era. all the pictures in this post are from 2008-2012…. my early art years and tumblr days…

I was inspired to make this mix after learning about the history of Dub music. made me dive back into my own music library.

The songs i selected are more the ones that preceded the following huge wave of wobble dubstep, brostep, drumstep and what other things that started to evolve out of it.

For the mix I selected more of the melodic, warm, hopefull and dreamy dubstep and dub that was lowkey the foundation for my music catalogue later on. I still listen back to this songs on a yearly basis. I actually don’t have a huuuge music repertoire like many do, i have a quite small selection that I listen again and again lol

Many songs in dub/step sample voices from movies or songs questioning society & reality. The sort of philosophical aspect of thise were really intriguing me as a teenager.

The darkness that dubstep carried while being at the same time such a physical experience when listening at a party was what attracted me a lot I think. the bass on the subwoofers blowing you away in a slow tempo. And then the melodious voices flowing on top. i was a proud bass ho

Last song is Anti War Dub by @maladmz @maladmz because seriously f*ck the war and imperialism striking once again. As a teen i was dreaming for justice and it’s a bit saddening to look back 15 years ago and realise the violence is still so intense. But tbh I actually I am not dissapointed cause i lowkey always knew it would turn out like this 🥲 But we keep going gang…we keep going #dubstep”

SETLIST:

Shackleton – Blood on My Hands (2006) 

Congi – Somnium (2012)

Mala – Alicia (2012)

J:Kenzo – Cosmo (2010)

Burial & Four Tet – Nova (2012)

Fluxy – Don’t Care

Kromestar – Hungry Dub (2007)

Quest & Silkie – Shirt and Tie (2007)

Late – Losing You (2009)

Phaeleh – Afterglow (2010)

Mala – Noche Sueños (2012)

Distance – Numan (2007)

Kromestar – Say Yes (2010)

Ruckspin & Quark – Sunshine (2010)

Submotion Orchestra – Suffer Not (2011)

Chromeo – Night by Night (Skream Remix) (2009)

Digital Mystikz – Anti War Dub (2006)

The urge to print

I have a growing urge to have everything printed. I want to make a book from my 1567 instagram posts. Many have done it before. I shall go radical. Print it, with comments and captions seperately but still somewhere included. Likes aswell. To see how it all got to where we are today. Today I am writing again here. After re-deleting this stupid Instagram. That shit makes me HOOKED. I don't get how people can live with it without restricting themselves? That takes a huge discipline. I can't. I only look at it during weekends. Otherwise my life goes wasted to it. I want to build my own image archive. That I can touch with my fingertips, the back of books, the spines, ASMR, not through a screen for gods sake. Here are some postcards I printed for the taipei artbook fair. Prints of drawings (digital collages) that have NEVER seen the light outside of a screen. Welcome to the world.

Zhuhai — Hong Kong

Some shots on Phoenix film on the bus from Zhuhai to Hong Kong. The mist took over the landscape. A mix of lush deep green hills and fast pace cars and trucks passing in front. A bridge fading into white nothingness.

Trace

I witnessed something going to for the second time in this temple, carved in the mountains cheek. I can’t explain it all yet. But while being mesmerized by the waterfall carving the front flank, an deafening noise through the valley, weakens my entire body. I see my life passing by, and the worlds.

With trembling legs I stumble down, while the dark sets.

PARIS - BRUSSELS [JAN 2025]

Un père et sa fille font le même trajet qu’on a fait des centaines de fois. Même si je n’ai plus autant de tendresse pour le passé, que les plaies se sont réparées et re-défaites, commes des noeuds de chaussures pas assez serrés. Quand même je reste emue a voire une tafereel qui ressemble la notre d’auparavant. Je trouve que dans les nouveau trains, les Ouigo, il y a plus de contact social que dans le Thalys. Qui n’est maintenant même plus — c’est devenu Eurostar. A nos coté passent des paysages éphémèrement blanc. Tout le monde et pour toujours sera tout autant enchanté quand la neige tombe ici. Ceci se fait de plus en plus rarement d’ailleurs.

ai will be source of implosion of digital consumption . soon we will massively throw away our screens. because soon Temu leggings and stickers will be AI prints of variety of dogs smoking a pipe that no human has drawn or photographed- only prompted. even magazines will die. was this column truly written by open ai or another machine? the constant doubt will be fuel. but before there must be a total downfall. a divorce between an AI and a human that turned into a courtcase. « my AI wife cheated on me with her AI fitness trainer »

we will as a consumer, drown in rendered imagery so much that we will ho back to texture, the tactile and olfactory. digging deep for what can not yet be manufactured with the bat of an eye. this is the implosion of capitalism fisher was talking about. there will be an implosion of consumption first, and then we will throw up our organs.

Wired

While I was designing my new business cards, I realised both of them where depicting humans hanging onto wires. Will upload these images later. In the late evening in my hotel room, this spiral of thoughts about being connected and my obessiob with drawing electrical wires, motherboards circuits and their relation with nature and human, turned into this 3 words, WIRED, TIRED & FIRED

RESIDENTIE BLOG

I don't have the time But I have all the time Of the World Right Now